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Your process is so neat :o And a 2px brush is so so small,,King shit. Do you prefer round brushes more when doing comm work/in general? Im real nosy LOL Im still swooning over that animated piece you made of Placebo aaaages ago. I stare at it every month at least LOL |
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Darkseeker
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Collar said:
Your process is so neat :o And a 2px brush is so so small,,King shit. Do you prefer round brushes more when doing comm work/in general? Im real nosy LOL Im still swooning over that animated piece you made of Placebo aaaages ago. I stare at it every month at least LOL
I'm the same way lol, learning about people's unique art processes is really cool because you see some BATSHIT insane things XDD I really like clean refined lines it gives, but the 2px brush only works on super refined sketches and zoomed out scene art (like you can see on the dragon meadow comm on pg 20-21) so it takes a long time, and i prefer not to spend too much time on smaller comms i like big round brushes for portraits/closeups and when the sketch is more fluid, preserves the flow more and you can carve out the lines, so you don't have to go over multiple times to get nice lineweight Also thank you so much!! The Placebo animation is still one of my favorite animations i worked on, the design was surprisingly easy to breakdown to animate XDDD my response is a bit long lmoa, sorry |
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Krampus said:
I'm the same way lol, learning about people's unique art processes is really cool because you see some BATSHIT insane things XDD I really like clean refined lines it gives, but the 2px brush only works on super refined sketches and zoomed out scene art (like you can see on the dragon meadow comm on pg 20-21) so it takes a long time, and i prefer not to spend too much time on smaller comms i like big round brushes for portraits/closeups and when the sketch is more fluid, preserves the flow more and you can carve out the lines, so you don't have to go over multiple times to get nice lineweight Also thank you so much!! The Placebo animation is still one of my favorite animations i worked on, the design was surprisingly easy to breakdown to animate XDDD my response is a bit long lmoa, sorry
No no you're totally good!
But you're SO right about some processes being Unhinged LMAO. I was really suurprised you work with like, two whole separat sketches??? I haven't don that in AAAGES LOL (though I just kinda raw dog shit now oops). Your dragon meadow piece is SO GORGEOUUS I literally just went through every page in youur gallery lmao
That makes sense! I love a good round brush, but I use very limited default brushes myself and :agony: It's kinda hellish, but I make it work lmao. How many brushes do you use on averrage in a piece? Or is it just one or two for the whole time? (Apart from your sketches!)
You are so welcome! Thank youu again for SPOILING me with it!
(Also so sorryabouut double letters my keybooard is kinda fucked LMAOO)
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Darkseeker
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Collar said:
No no you're totally good!
But you're SO right about some processes being Unhinged LMAO. I was really suurprised you work with like, two whole separat sketches??? I haven't don that in AAAGES LOL (though I just kinda raw dog shit now oops). Your dragon meadow piece is SO GORGEOUUS I literally just went through every page in youur gallery lmao
That makes sense! I love a good round brush, but I use very limited default brushes myself and :agony: It's kinda hellish, but I make it work lmao. How many brushes do you use on averrage in a piece? Or is it just one or two for the whole time? (Apart from your sketches!)
You are so welcome! Thank youu again for SPOILING me with it!
(Also so sorryabouut double letters my keybooard is kinda fucked LMAOO)
I see lol, all good
Yeah i find it easier to first quickly block out the composition and rough proportions of bodyparts before cleaning it up, and it also serves as a sort of warmup for getting into the drawing (if you heard that trick some artists do of "warm up" excercises before getting into the drawing?)
hmm, lets see. for basics, I ALWAYS use a round watercolor brush(sketching, lineart most of the time, even if it's the 2px kind i'll use that instead of the pen, & to color), a taper/force fade pen (for fur) Airbrush, Blur/Smudge tool, basic Hard Pen brush for cellshading if i do it
around 4-7 brushes for a simple piece (i'll have some specials for effects), and 8-9 for a big one if there's something that needs a specific-pattern/duplicate thingie
For the dragon piece, i have a PineForest (that i made from a custom pinebranch brush XD) a couple different Grass Brushes, an a Sharp Leaf and Round Leaf brush i used for the flowers
Also needed to make a cust for the buterflys, i took some butterfly silouettes and drew patterns and them
And the red/cross doberman piece i made a barbed wire brush and just used it over an edge brush to get the look right
I'm always making custom brushes for things because it's some and honestly i use them ALOT, it makes things easier lmoa
This is alot of brush talk, i'm sorry but you've opened a pandora's box with asking me about brushes XDD |
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Lightbringer
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Your art is just Amazing I can't even dude, you're insanely talented Like everytime I see your art I just wanna start drawing to get better *^* |
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Darkseeker
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Smilecat said:
Your art is just Amazing I can't even dude, you're insanely talented Like everytime I see your art I just wanna start drawing to get better *^*
That makes me so happy to hear you have no idea it's really nice to hear people get inspired by my work XD <333 |
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Darkseeker
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[Mod Edit: This post has been cleared as it has broken multiple rules.] |
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Neutral
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Oh this is freaking SICKKK DUDE Im wishing you all the luck!!! Sick project omgomg |
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Darkseeker
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Collar said:
Oh this is freaking SICKKK DUDE Im wishing you all the luck!!! Sick project omgomg
ayiayiayaiy thank you so much!!!! i'm really glad you like it! :)))) |
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Darkseeker
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this is so cool??? i would imagine genetics games would be one of the toughest to make because of,,, genetics,, but this is really epic?? |
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Summer Month: 3 
Night 
Earthquake Moon: 
