| |
Darkseeker
|
Yuketa, very glad to see you again here! You are one of the few people in my life who feels my creative ideas so well. It s amazing! Very interesting way of thinking about the retrospective! In fact, initially i was going to just show a piece of work that remained at that time in the process. Apparently, when photographing, such a warm shade of paper was accidentally obtained. This coincidence helped, because i really like to draw the atmosphere of a bygone era. As for the second part. Initially, there were galloping horses with riders and a sphere ( the setting sun, althoung it is difficult to imagine it in such a technigue). And then i decided to supplement the work with people. I can t say that the composition turned out to be guite successful, but it helped to feel how beautifully you described the "glimpses of memory". As for the third picture: I cropped the work, as if i intuitively felt that this way the face would be more convincing. Incompleteness, a sense of tension, understatement that is in the air. And it feels like you re being watched. It was with this work that i wanted to experiment in a similar way. I don t think a whole porter would have that effect. Thank you for staying with me! <3
Yuketa said:
the fire of memories - I'm glad we can have an open discussion about this together, and I am happy to participate in the analysis of your stuff as well! Everything about your stuff is awe inspiring, I hope you know that. :) - The first of these latest three has the feel of an old photograph! Like a faded, yellowed film that's been uncovered from somewhere, quietly hidden away. Im the second portion, and in context with the other floating portions of the side horse, the riders and horses below, and the sphere in between everything, it starts to make everything look like an abstract collage of sorts. Like glimpses of memory, in a way! Ethereal, too. <3 - Ahh the unfinished, somewhat sketchy style of this last one, with the concentrated gradients and grey tones on the face, in combination with the way you cropped it makes for such a compelling image! His face draws attention to it, and I can't help but be drawn to the subtle value changes over it. Fantastic work!
|
|
|
| |
Darkseeker
|
I don t think a whole portrait would have that effect * I apologize for the typos in the text. |
|
|
| |
Lightbringer
|
This is amazing! Keep up the good work! |
|  |
|
| |
Neutral
|
the fire of memories - Of course! I'm also happy to talk about art like this, and I think simply appreciating the nuances of good art helps everyone involved generally get better too! And ahhh, so it worked out in the end! I'm glad your photography could help capture the vision you seek to express, even if it was unintentional. - Certainly, even if the composition doesn't turn out as you originally wanted, you can always learn from what you wish you could have changed. I consider that seeing both the successes and failures of a piece comprehensively is also a good way to go about analyzing of your process and works. :) - Oh wow, for sure! You've definitely captured all of those aspects with intentional photography and cropping, which I think is a fun contrast to your successes with the initial, faded piece's photography. It's two for two on those. :D Thank you for making these beautiful pieces and indulging in my long analyses! Hahaha <3 |
|
|
| |
Darkseeker
|
Thank you! You motivate me a lot!)
Wolf Pride said:
This is amazing! Keep up the good work!
And the ability to show the work to the audience helps the author to build a rational assessment of their skills. Your answers are great, i m happy to answer them long and thoughtfully! I hope to pease you with new works soon)
Yuketa said:
the fire of memories - Of course! I'm also happy to talk about art like this, and I think simply appreciating the nuances of good art helps everyone involved generally get better too! And ahhh, so it worked out in the end! I'm glad your photography could help capture the vision you seek to express, even if it was unintentional. - Certainly, even if the composition doesn't turn out as you originally wanted, you can always learn from what you wish you could have changed. I consider that seeing both the successes and failures of a piece comprehensively is also a good way to go about analyzing of your process and works. :) - Oh wow, for sure! You've definitely captured all of those aspects with intentional photography and cropping, which I think is a fun contrast to your successes with the initial, faded piece's photography. It's two for two on those. :D Thank you for making these beautiful pieces and indulging in my long analyses! Hahaha <3
|
|
|
| |
Darkseeker
|
Fragment of a new work! I can t always find the history of the fotos or the people in it. But even so, sometimes it succeeds and it cannot but fascinate! |
|
|
| |
Darkseeker
|
I ii update the gallery a bit. But this will only be a correction of old works. Now i like their look much more! |
|
|
| |
Darkseeker
|
Edited at November 11, 2023 03:14 AM by winter wolf
|
|
|
| |
Neutral
|
I live! These are all gorgeous! I'll keep it pretty short though. ^^' The first image is really evocative of memories, for sure. :D I love seeing that you go back and touch things up. That's a good thing to practice. The third one is particularly stunning because of how you articulate each minute form in such a limited value range. It's absolutely superb. |
|
|
| |
Darkseeker
|
Hello, Yuketa! Glad to see you here again! I think that the white background gives more neatness and concentration to the object itself in the composition. Of sourse, this is not always appropriate. Everything depends on the job. And by the way, you can scroll through the gallery again, as many works have been agjusted and one new one has been added. Sorry that i rarely update the gallery. In fact, i rarely have inspiration and i don t know when i will please you with work again.
Yuketa said:
I live! These are all gorgeous! I'll keep it pretty short though. ^^' The first image is really evocative of memories, for sure. :D I love seeing that you go back and touch things up. That's a good thing to practice. The third one is particularly stunning because of how you articulate each minute form in such a limited value range. It's absolutely superb.
|
|
|
Fall 
Day Weather: 
